Weekly Readings III

UPDATE (1-24-14): Had to re-upload video below due to typos. Your Literary Rat apologizes for those who saw any or all of the original 3 uploads ridden with typos. Sometimes I move too fast for my own good…

 

 

Weekly Reading 3

 

This edition of “Weekly Readings” is a little different.

 

For new readers, “Weekly Readings” is normally when I give short reviews on picture books I’ve read in the past week, and I sadly have not read any new picture books since Holiday 2013, and recent changes concerning my debut novel Gabriel, and entering the world of podcasting has taken so much of my time, but I’m getting back in a groove.

 

Slowly but surely…

 

Anyway, for our first Weekly Readings of 2014, instead of a review, I’m sharing a video I made for a novel  (Not by me!) I have read (and “re-read” the audiobook version of it over and over) that’s first in a series that I believe NEEDS more love-

[sz-youtube url=”http://youtu.be/cJIIAcJubZs” userdata=”Taury” /]

As I always tell my author friends, this is the book I would be hand-selling to every man, woman and child I could if I owned and ran a book shop, and this is  book that pushes away from the “Norms” of which traditionally has been mostly picture books/early readers or clan-based warfare in the vein of Redwall and Warriors, and there’s nothing wrong with them, but I started T.A.A. to get folks to realize the variety and depth this genre is capable of when we’re willing to be open to new approaches and voices. 

Time Stops for No Mouse is a prime example of this. It’s like “Beatrix Potter for Grown-Ups” meets “Murder, She Wrote” though the protagonist not a widowed mystery writer.

This series I feel can be the “Gateway” for getting readers BEYOND 5 to see how fun and poignant this genre can be when done with heart and thought, NOT a commercial gimmick.

Every other genre (Even erotica, and so-called trite romance, I read romance, but I can’t write it, nor am I interested in erotica) has a palette of discerning readers of varying tastes and interests, yet we lump all animal stories in the same boat, and that’s doing both a disservice and missing the broader point.

Just like how Twilight’s vampires are NOT mirroring the original Dracula.

Or why we don’t confuse Clifford the Big Red Dog with Snoopy!

If you’ve read a previous “Letter From the Editor” from 2013 giving a retrospective of this series, you know I’m in love with it, wish I could’ve written it, and one of my WIP books was inspired (Not in a scummy way!) by this first book in particular, and the series in general.

I will be reviewing this series shortly, and I’ll be doing a special giveaway to tie in my needing to bring these series further into the literary limelight.

Until then, I’m taking a more visually direct approach. Video is the future, after all.

If my words can’t get eyeballs to this book, I’ll use video!

Love to get some feedback on it. What did you think? Will it make you curious to at least TRY the book? (Preview on Amazon, library, wherever!)

If there any other Hermux Tantamoq fans out there, will you come out and share the love with me! Comment on the blog or tweet us (@TAA_Editor or @Taurean_Watkins)

Until next time, may the fantastical fauna be with you.

Picture Book Month – Author Spotlight #3: Two Lost Lights of 2013

 

Today’s Spotlight will be a little different, and possibly tissue-inducing, but I hope no less inspiring. 

 

While I’m all for celebrating the variety, depth and daring feats accomplished in picture book art and text today, I want to take this spotlight to give honor and reverence to two author-illustrators who we lost in 2013-

 

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Marc Simont (1915-2013)

I wasn’t as familiar with Marc Simont’s work, at least not directly, but learned some interesting things in doing research.

A few years ago, I wrote a series of stories about a character named Crocodile Flint, a gruff reptilian sleuth with a semi-hard boiled tone, and some of the feedback I got was advising me to read other mysteries for chapter book readers, and one of the books suggested for me to read was the “Nate the Great” series which is a mystery series for emergent readers (Kids 6+), and though the series is written by Marjorie Weinman , it was Marc Simont who did the illustrations for the early books in the series when it debuted in the early 70s-

Nate the Great (1st)

 

 Today, the series is currently illustrated by Jody Wheeler-

Nate the Great, Where Are You

(Cover for “”Nate the Great, Where Are You?”

to be released in May 2014)

 

But in addition to illustrating the works of other authors, he also penned and sketched books all his own, most notably his picture book “The Stray Dog” that became a Caldecott Honor book in 2001-

 

The Stray Dog

 (*Click the cover image above if you’re interested in purchasing)

As for Crocodile Flint, it evolved from being a chapter book to a novelette type story that I will soon be publishing it via the new reading platform called “Snippet” but I’ll share more details on that in the near future.

 

And speaking of crocodiles…

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Bernard Waber (1921-2013)

Lyle Montage #1 Lyle Montage #2

I saved Bernard last for the simple reason that it was the most INTENSE for me personally as an author early on in my career. It was a week after my birthday this year when I heard the news on Facebook, and it truly rocked my world, in a non-awesome way. I still get shaky thinking about it as I type these words. For, much like the death of Maurice Sendak in 2012 (Also in May, ironically enough), this was the most core-shaking author death for me since Brian Jacques (Author of the Redwall series, and my unofficial “Rival”)

Of his many notable books, his most well known are “Ira Sleeps Over” and his series starring “Lyle the Crocodile” which are are a personal favorite of mine. What I love most about the Lyle series is how even though Lyle never speaks, you still feel you know him. He’s the kind of character where actions and expressions say all you need to know, and despite the “distant” narrator, it doesn’t feel like you being told what Lyle thinks and feels, and anyone whose tried to write a tight first person or close third POV know this is NOT easy to do.

While picture books are usually in third person, and often past tense, there are some in eithe first person, and even second person (If You Give A Mouse A Cookie), that with a skilled author can bring freshness to the narrative and it’s adjoining illustrations without being pretentious.

That said, it’s not easy to use a detached narrator and avoid the issue of readers not feeling connected to the characters or being told how they feel.

Of course, back in the days of silent films, this was a common way stories were told visually, with an occasional caption in the place of spoken dialogue (For those of you saw my original welcome video for T.A.A., the last bit at end was a riff on old silent movie dialogue cards)

But the advantage of picture books (And by extension, Comics and/or Graphic Novels) is to use visuals to express what words alone either can’t convey, or are unable to within the vocabulary and word count constraints inherent in picture books especially.

This is made more impressive by the charming illustration style and how facial expressions really pop.

While some “Modern” picture books can take it to task in the wake of the “Minimalist” movement of books in general this first decade in the 21st century, for me, this is a case where the old-fashioned feeling of the story is its strength, rather than as a liability.

The word “Dated” has negative connotations in publishing, but to me, what really dates a book isn’t necessarily slang (Though is a legit concern, especially in novels), but it’s stance to the reader.

For me, the most enjoyable picture books are the ones where as clearly labored and thought out they may be, they never read self-conscious to neither the kids or the parents (Or other family members) who share the story together.

It had always been my hope that I’d get my Lyle books signed, and shortly after learning of his death, I went to “The Book Beat” (An independent bookstore in my home state of Michigan) and bought a signed hardcover of “Lyle and the Birthday Party” and will be a cherished part of my personal library, and will NEVER sell it! (Short of financial desperation or family inheritance)

 

For a chatty, detail freak like myself, when you can relate so pogiantly to a character who doesn’t speak, you can’t help but say “WOW!” if only to yourself.

Being primarily a novelist, taking away a character’s ability to speak in WORDS for me is like taking a kid’s favorite toy without asking, cruel and jarring, but it also inspires me to better pay attention to facial ticks and unspoken (yet still RELEVANT) feelings of my characters.

Vital for picture books, but still apply to novels, though there’s more freedom of structure and word choice because of the larger canvas you have. In short, I’ll miss you, Bernard Waber, but I thank you for bringing your books into this world.

I came to the joy of picture books later than many, but I know that I’d be just as charmed by Lyle at 4, as I am now at 26, with no kid siblings or kids of my own (Yet…) to hide behind.

My site may be called “Talking Animal Addicts” but Lyle shows us that animals (real or imagined) still have a voice. This is merely a voice you need to feel and see rather than hear.

Have you Marc Simont’s “The Stray Dog” or Bernard Waber’s “Ira Sleeps Over” or one (if not ALL) the Lyle books, and any of his other books? If so, please share your thoughts in the comments. Your literary rat loves to hear from you.

We’ll lighten up the mood on our next spotlight with highlighting picture

books by authors and/or illustrators who made their debut in 2013.

 

Until then, may the fantastical fauna be with you.

Picture Book Month – Author Spotlight #2: Katie Davis

Today, as Picture Book Month Continues, I’m happy to introduce an author who’s helped me as much as I now hope to help her now, and made the word “Business” less of a dirty word for me. (It used to ber a MAJOR “Hulk Trigger” to hear that word), but while I’m not cured, I’m at least in rehab. author-illustrator (And all-around “Writerpreneur”

[Writer + Entrepreneur] Katie Davis.

 

KatieDavis2013

(Meet Katie, Author, Illustrator, Video Marketing Maven and unofficial “Soothsayer of Reciprocity”)

 

Katie is the author/illustrator of 8 (Soon to be 9!) Picture Books, from her debut classic “Who Hops?” (1998) to fan favorites, “I Hate to Go to Bed”*, “Kindergarten Rocks” and “Little Chicken’s Big Day” which also marked Katie’s first collaboration with her husband, movie producer/author, Jerry Davis, who has his a hand in many well known animated films, most notably the first “Toy Story”, “Ice Age”, and (Katie’s Fave) “The Iron Giant.”

Jerry’s most recent film “Epic” debuted in theaters back in Spring 2013, and is now available on DVD, Blu-ray, or digital download.

Fans of Little Chicken (L.C. as I like to call him) will be glad to know a holiday follow-up is soon to launch, making this Katie’s 9th picture book, and 2nd collaboration with her husband, Jerry-

 

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(*Though “I Hate To Go To Bed” is sadly out of print, it will be re-issued in ebook format with remastered art by Katie, eventually…If you can’t wait, you might be able to hunt out a used copy or find a library near you that still has a copy in the stacks)

Katie has also written a middle grade novel, “The Curse of Addy McMahon” that also sadly is out of print, but again, some books are worth hunting for used, and again, utilize your local library if you can…

On the upside, Katie will soon grace the YA literary landscape for first time with her upcoming (Long Overdue) novel, “Dancing with The Devil” (Title subject to change) scheduled to be released by Diversion Books sometime in 2014.

In addition to her picture books and novels, Katie has also released various nonfiction, such as the ebook guide, “How to Promote Your Children’s Book: Tips, tricks and secrets to create a bestseller” (Which will eventually release in a second edition packed with new content and revised changes to previous info), and in May 2013 (Your Literary Rat’s Birthday Month!) launched “Video Idiot Boot Camp”, an on-demand, 8 lesson course designed to teach authors and other professionals how create engaging videos without needing tons of money, fancy equipment, and the camera skills of Hollywood Cinematographers.

As part of the First Generation of VIBC graduates, who had ZERO experience creating video this time last year, I can personally tell you, with Katie (And her alter-ego sidekick, the Fairy “Vid-Mother”) as your guides, you will succeed in the emerging shift to video-centric content.

YouTube gets a billions of views a day!

Why shouldn’t authors like Katie and myself get a fraction of those views for the content we work hard to provide?

Those of my long-time readers who are also authors, you too can and should grab a slice of the video viewer’s pie, there’s MORE than enough to go around, unlike the pies we can eat…

But don’t just take my word for it, this is a recent video I made to help Katie promote her upcoming release of “Little Chicken’s Big Christmas”-

[sz-youtube url=”https://www.youtube.com/watch?v=0c_OXGnDo-s” cover=”https://i1.ytimg.com/vi/0c_OXGnDo-s/2.jpg?time=1384398380350″ userdata=”Taury” /]

(I know the cover in the video is white, but I think the final cover will be Green, but I chose the white cover Katie posted on her blog when she hadn’t decided yet and the white contrasted better for the video)

I recently joined Katie’s “Launch Team” to aid in getting the word on on this book. For those of you who listen regularly to Katie’s “Brain Burps About Books” podcast (The No. 1 podcast geared specifically to the craft and business of children’s publishing) know Katie’s (Self-proclaimed cynic as she is) BIG on reciprocity, which is key to not only her success, but that of other writers such as myself who she’s helped reach the next level in the writerly skillsets thanks to her ability to break things down into steps that foster the hope to do better, know better, BE BETTER.

In that spirit of gratitude and reciprocity I learned from Katie (And Julie Hedlund who I spotlighted for my T.A.A. CARES initiative) I joined the team to aid Katie in the Thanksgiving launch of “Little Chicken’s Big Christmas”  and here’s why-

While “Little Chicken’s Big Day” was traditionally published by Simon And Schuster imprint “Margaret K. McElderry Books”, L.C.’s Big Christmas is going the indie route, and this being a holiday release, hence the reason for the concentrated launch, and it was a cool way to get some marketing experience and insights to help make the launch of my debut middle grade novel GABRIEL (pub. date still unknown to me, but I’ll have a BIG UPDATE to share in the near future) that much stronger, and for those of you who gave me so much support and imparting whatever advice you gave me, I’ll do all in my power to be worth the wait.

Plus, this book fits my “Animal Story” theme, and now that I’m addicted to doing video, this just gives me more ways to practice what I’ve learned from VIBC.

The teaser video I did for “Little Chicken’s Big Christmas” was just the FIRST step, I will also be reviewing the book (After getting a review PDF copy from Katie over the weekend, should all go well on her end) and do a review on Amazon at a later date at or just before launch, and later re-post on T.A.A., alongside reviews of other holiday books (Already in my private library) I’ve been LONGING to re-read and review for T.A.A.

You can check out the teaser videos I made for my upcoming middle grade novel, Gabriel from yesterday’s blog post: http://talkinganimaladdicts.com/video-remixing-2

Julie Hedlund (Who I highlight yesterday to support her “Epic Adventure” on Kickstarter) has also taken VIBC (She was the “Original Vidiot” back when VIBC was still in beta) and she herself admits to owe Katie an insurmountable debt and gratitude (As do I) to gain knowledge to something that is now key for writers and other content creators to learn, because while book trends come and go, the demand and need for video is a FINITE game-changer, and no writer wants to be “Left Behind”-

[sz-youtube url=”https://www.youtube.com/watch?v=JF-PVpFH3Lg” /]

But UNLIKE another “No [Rhymes with [“Mild”] Left Behind” program/mandate that has been bane the bane of many parent, teacher and non-traditional student’s existence, as writers, we can take video wherever we want, and like the best parents, teachers and mentors for kids and teens, video can “Meet us where we are.” Here’s a quick example-

When a teacher or parent has a child (or teen) who is struggling to read at grade level, or just doesn’t like to read, or they struggle with math, or have social problems. The best teachers find ways to meet students where they are right now, even if that’s WAY far off where the student needs or even WANTS to be (Even struggling students can be Type A overachievers, you know, if a bit disguised)

Creating video (Like writing) is the same way. While I’d LOVE to do the kind of tight, engaging videos like many of my fellow VIBC colleagues, I need to remember that like me, they learned this over time and much trial and error (Just like me), and  throughout the course and in the VIBC Facebook Group (Which ONLY students can join and access) Katie always instills this constant: “It doesn’t have to be ‘Perfect’ but needs to be as professional and tight as you can make it technically, so any imperfections are minor and don’t detract from the overall experience.”

I struggle a bit here as while I’m not a perfectionist regarding video (The I am with say, QUERY LETTERS, which can be onerous and drive me screaming into H***!) I do want it to be professional enough so it represents that I as author take my work (While creative and fantastical) seriously, and not to jerk off the viewers I want to have, some of who will someday buy my books as they’re released.

That said, in my re-do of my welcome video for T.A.A., I had to use a photo of myself, not because I’m paranoid of being on-camera pseudo-real time, but because recording myself via phone or laptop webcam is too low for my standards, plus the fact I talk like a stereotypical chipmunk auctioneer, and people can have a hard time understanding what I’m saying, something those who of you that watched my original welcome video know all too well (Sorry about that, but I will be better next time.)

Now that I’m committed to video, I’m going to eventually invest in some better equipment, because I do want to be on camera for some of my videos and want to be clearly seen, no matter if you’re viewing it on a phone, tablet, laptop or desktop computer.

 (Katie’s a pure Apple devotee, but while I love my iPhone and the iPod Touch [3rd Generation] I used to own before it, and iTunes and QuickTime, PCs have their advantages, too. That said, if I can EVER afford or win a Macbook, I’d get one for Screenflow, I think I’ll navigate it FAR easier than Camtasia [The only known equivalent to Screenflow for PC users], which is only on Macs, why Apple?! You let us PC folks use iTunes and QuickTime but not Screenflow?!)

Katie, if you ever read this, know you aren’t alone in the “Babbling” habit.

This is part of why my videos never hit that 30 second to 1 minute “Sweet Spot” because I’m such a chatty, detail freak, and I’m really more afraid of potential viewers going “Huh?” than “This is a tad too long” as much as I don’t want to go on for longer than necessary, but I’m getting there.

That said, I thank cheddar I find this fun, since the videos I’ve done so far have taken hours to time everything just right, finding legal to use content and music is the easy part (Thanks to the resources and links provided and recommended in VIBC) and what I’ve found on own, it’s bringing the content together that’s the time-consuming part. Some of it’s learning curve, but also just what they take on average.

But it’s worth it when you finally get what you envisioned/scripted to work. Something you know as well as I now, right?

Anyway, that’s all for today.

Check tomorrow for a special spotlight on great authors and/or illustrators who’re sadly no longer with us. Until than, may the fantastical fauna be with you.

 

 

Picture Book Month Spotlight #1: Julia Donaldson and Axel Scheffler

Julia Donaldson and Axel Scheffler

Today, to kick off our series of author and illustrator spotlights (In honor of Picture Book Month) we profile Author Julia Donaldson and illustrator Axel Scheffler (Who is also the author-illustrator of the Pip and Posy series), and we’ll start off by highlighting their latest book-

The Highway Rat

(*Click the cover image above if you’re interested in purchasing)

Fans of “The Gruffalo” will love the latest collaboration from author Julia Donaldson and illustrator Axel Scheffler where a wicked rat on horseback finds out “Crime Doesn’t Pay” in the most comical, knee-slapping ways, from the reader’s perspective, anyway…!

Being a literary rat who is on the side of good (And PROUD of it!) there is admittedly something to be said for my species “Classic” role as the villain, and the fact that Julia composed this story EXPERTLY IN RHYME, as she did in previous books A Gold Star for Zog, “Tabby McTat” and “Stick Man.” (All of which, also illustrated by Axel Scheffler) proves how compelling art and text can really be when they work together. Expect a more through review of this book in the future.

While many of Julia’s books have other various (And equally talented!) illustrators behind them (Such as “Jack and the Flumflum Tree” illustrated by David Roberts), Axel Scheffler’s bright and simple-yet-sophisticated illustrations brilliant compliments Julia’s “Harder to do than it looks, no, REALLY” rhyme scheme, makes for a art and text combo rarely seen since the previous “Golden Age” of children’s books in general, and picture books in particular.

Picture book Month is a great initiative to both celebrate picture books across the ages, it’s also a prime opportunity remind today’s authors, illustrators, and readers the world over that there are many authors and illustrators who are committed to picture books,  and to prove beyond doubt that like Madeline, Olivia, and Clifford the Big Red Dog before them, there are plenty of emerging examples of picture book characters in the 21st Century who are just as capable of having staying power beyond their time of creation. No less than their 20th Century (Or further) predecessors.

At T.A.A., we say celebrate the  OLD and the NEW, and remember that all  the “Classics” today, were once in the rookie’s corner, too. Check back for more author and illustrator spotlights throughout November.

 If you’ve read Julia Donaldson or Axel Scheffler’s books (Collaborative or Solo), please share your favorites in the comments below. T.A.A. LOVES to hear back from you, the readers.

Until next time, may the fantastical fauna be with you.

*If I’ve hooked you into buying the book (or books)  mentioned above, please support T.A.A. by clicking the affiliate link cover (Or links to other books mentioned above) for the book above. Or check it out at your local public or school library.

Support them so they can stick around to support you or someone you love when you need it most.

Learn more about author, Julia Donaldson, and her many other books at her website-

http://www.juliadonaldson.co.uk

Also, take time to check out the OFFICAL website for Picture Book Month-

http://picturebookmonth.com

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