Picture Book Month – The Finale: Part 1 (New Voices in 2013)

FINALE

 

As Picture Book Month draws to a close for another year, I want to spotlight some new faces, places, and voices that have graced bookstores, libraries, and e-readers* in 2013-

 (*Some Books aren’t available in ebook format at the time this post was originally written)

The Snatchabook (U.S. and U.K. Edictions) 3

U.S. Cover (Left) U.K. Cover (Right)

The Snatchabook

Written by Helen Docherty Illustrated by Thomas Docherty

(U.K. Alison Green Books, October 2013) (U.S. Sourcebooks Jabberwocky)

I discovered this on November 1st, 2013, at the START of Picture Book Month, when I was out book browsing, and while I couldn’t get the book at the time, what I read (4 pages) convinced me I MUST buy before year’s end. I will be getting it soon and look forward to a review.

I always feel a bit awkward when I review or highlight a book in rhyme, since when done poorly, really makes a story clunk (I’ve tried, trust me it’s quite a task to challenge oneself with, the literary rat has WARNED you!), and it’s certainly HARD to debut as a new author with a rhyming text, especially if you are NOT also the illustrator (If an agent or editor believes in the project overall,  so long as the rhyming is at least 70% solid, IMHO. Don’t quote me, I don’t yet have an agent, but I’m trying to be positive here!)

My point is this: Like Julia Donaldson from our first spotlight, Helen NAILS the rhyme scheme of her book, which is looser than many rhyme-centric narratives, but works all the same.

Thomas Docherty’s illustrations really brings life and warmth to the world where beloved books go missing, and characters have a Seuss-esque quality to them, and I promise you, I  don’t throw down that kind of statement lightly.

While Thomas Docherty has written and illustrated  6 picture books of his own (And Illustrated “The Snorgh and the Sailor” written by Will Buckingham), “The Snatchabook” is his second collaboration with his wife, and  author, Helen Docherty!

 

Helen and Thomas (Tom) Docherty

(Helen Docherty, left, Thomas Docherty, right)

 

Their first book together (Before they were married) was “Ruby Nettleship and the Ice Lolly Adventure” (Illustrated by Tom, the story co-written Helen) was released by Templar Publishing in 2010, in the U.K. (U.S. Release in 2011)

Ruby Nettleship and the Ice Lolly Adventure

 

Now we go from one love story to another.

 

From one between people, to that of our fantastical animal friends on which this site homages, but it’s also a love story to a place you can actually visit (Should finances allow…)-

 Herman and Rosie

Herman and Rosie

By Gus Gordon

(Released by Roaring Brook Press, a division of Macmillan in October 15, 2013)

 

Like London, Italy, Paris, and more recently India and/or Japan, books have always had a storied history with an ongoing playlist of love songs to iconic settings (Real, imagined, and all in-between) and picture books are no different. In fact, with SO MANY love songs to a specific place, it’s HARD to stand out, but I believe “Herman and Rosie” is one such stand out.

 

For me, of the many love songs to New York (Real or Surreal), this book DOES jump out in the most positive sense.

 

There’s something about the vintage feel that I’ve always responded to, long before I even knew the history behind it, which only enriched my appreciation as I got older.

 

When I first saw the cover for this book, I almost wanted to weep with joy, because it’s unabashedly old-fashioned, in a tune when being modern is often meant to mean “Simplistic to a fault.”

 

I’m not bashing simplicity, when it’s right for the story, whether words or text, but I don’t want simplicity to overly dictate stories that frankly demand some finesse and sophistication-

Fancy Nancy

The Fancy Nancy series is what immediately come to mind. Nancy’s “DIY” fashion/interior design spirit wouldn’t have the charm and impact if it had been taken too literally.

Jane O'Connor and Robin

(Robin Preiss Glasser, left, Jane O’Connor, right)

As author, Jane O’Connor has said in interviews, she made the point to series illustrator, Robin Priess Glasser (via NECESSARY art notes) that Nancy’s “Fancy” was less idealized Martha Stewart/Mary Engelbreit, and more playful and resourceful.

 

Like those old cartoons of kids playing knights wearing pots on their heads to affect those iconic helmets.

 

Much like how many people are living more financially stringent and (Arguably, at times) frugal, and general embellishment is seen as a sin of the early 21st century.  (I’m exaggerating a bit, but it does FEEL that way sometimes)

 

But Gus Gordon’s first children’s book reminds me, and I hope others, too, that “Dated” details aren’t always the “Kiss of Death” we often attach to non-modern things in general.

 

While many young readers (And even their parents born LONG after the ’80s) will not necessarily know that black half moon poking out on the cover is a vinyl record, and that the overall design from the front and back over reminds me of the now “Old School” way people enjoyed music.

 

Back in the day, if you couldn’t play the piano or a violin (Or the Oboe, as in Herman’s case), vinyl records and their players (From the Gramophones of  to the suitcase-style record players from the ’60s and ’70s) was the way to go to enjoy music without going to a live concert, Broadway show or movies in the oft-debated “Golden Era”, but despite the dominance of music downloads and CD sales peaking in the ’90s (My childhood) vinyl records (From 21st Century artists) are STILL coming out, and here’s why-

 

As many audiophiles know, vinyl records actually best preserve the highest quality (Uncompressed) audio when thoughtfully produced, which outside of archival preservation for historians, is a tangible reminder that not everything vintage is obsolete and unloved.

 

While the art style is clean and not what some would call “Busy or Gaudy”  it avoids the “Minimalist” movement in books these days, I don’t just mean minimalism in terms of text (Which I have certain thoughts on that I will share at a later time) but in how the illustrations manage to feel modern yet warm at the same time.

 

Like Frog and Toad, Mole and Ratty, and more recently brother-sister duo Judy Moody and Stink (This may be “Talking Animal Addicts” but we embrace humans here, too!), I hope Herman and Rosie has as beloved and prosperous legacy for young readers now, and for any literary rattlings of my own that one day will emerge.

 

Check back tomorrow for part 2 of our finale by highlighting some picture books T.A.A. has their eye on in 2014!

 

Until then, may the fantastic fauna be with you.

 

Picture Book Month Spotlight #1: Julia Donaldson and Axel Scheffler

Picture Book Month – Author Spotlight #2: Katie Davis

Picture Book Month – Author Spotlight #3: Two Lost Lights of 2013

 

You can also find our spotlights and more on our Pinterest board-

http://www.pinterest.com/taureanjwatkins/taa-celebrates-picture-book-month-2013/

P.S: take time to check out the OFFICIAL website for Picture Book Month-

http://picturebookmonth.com

PBMBADGE-AMBASSADOR-FB

 

P.P.S: If my ramblings convinced you to buy one or more of

the books mentioned above, please support T.A.A. by

clicking on the affiliate cover images above.

T.A.A. CARES – Author Spotlight #2 – Julie Hedlund’s Epic Hybrid Author Adventure

As I mentioned last week, T.A.A. CARES is kicking into overdrive for the winter holidays, and in honor of Picture Book Month, our next author spotlight is children’s author Julie Hedlund-

Photo-2-crop (Julie Hedlund Mini)

(Meet Julie, the ORIGINAL “Guru of Gratitude”)

 

I first discovered Julie when she first guest starred on an episode of “Brain Burps About Books” (Episode  #78, to be exact, which you can listen to here: http://katiedavis.com/78), the #1 podcast about the business and craft of Children’s Publishing, founded and hosted by author-illustrator Katie Davis, who discovered Julie by following her progress back in her “Pre-Published” days as a blogger who back in January 2012 fueled the spark of the picture book writing challenge known as 12×12 (Now in its second year) that has already become a living phenomenon for picture book authors and illustrators the world over.

12-x-12-new-banner

For those still unaware, 12×12 is a writing challenge specifically for picture book writers and author-illustrators. It’s a YEAR long program designed to provide support, tips and tricks, and inspiration to the writers who participate. Anyone who’s tried to write a picture book will tell you that it’s NO CAKEWALK (What is a “Cakewalk” anyway?) To put it bluntly, and forgive the cliché, it’s harder than it looks. Really.

In some ways, 12×12 is like the picture books writer’s equivalent to NaNoWriMo (National Novel Writing Month that begin in November 1999 and been held yearly every November since), in terms of an active community support from fellow writers, the event’s founders, and over the years various bestselling authors providing pep talks, and sometimes taking on the challenge themselves.

Some authors even BEGAN their emerging careers via NaNoWriMo, though not necessarily debuting or otherwise publishing the books they originally drafted during NaNoWriMo.

But there’s  one KEY difference to keep in mind. Unlike NaNoWriMo, or similar MONTHLY events like PiBoIdMo (National Picture Book Idea Month)  where you just have to jot down 30 IDEAS for picture books, not full drafts, or NaNoEdMo (National Novel Editing Month, Originally Founded in April 2003, and has since occurs yearly in March), 12×12 is a YEAR LONG program where the goal is to draft as CLOSE to 12 picture books that you can get, and at those who register in early January are eligible fabulous prizes, and introduced in 2013 was the chance to get critiques from agents, editors, and published authors that can help take your manuscripts to the next level. But you NEED to register in early January to be eligible, and on that note, and there’s something else that’s to key to remember.

Starting in 2013, 12×12 (Which was free its inaugural year) has evolved to a tiered-payment model, partly because year-long events take a LOT of planning, administration, moderating, rounding up authors, agents and editors to lend their expertise and support that takes them away from their own work, and yes, a fair amount of money, for the running of the site and its community, and being able to offer such rad prizes for the writers who take part.

Also because while this event can help writers, writers are also in business, and like in any other career, we balance our charity GENEROSITY (Things we gladly give away to our blog readers, newsletter subscribers  close writer friends, etc.) and things we charge for to maintain our livelihood.

Keep in mind that many writers are also parents, have spouses, and often have to work two or MORE jobs for the bulk of their income. Not all authors are able to earn a living solely through their writing.

I’m not a parent or married, but I STILL HAVE issues with finances, or lack thereof, and like Julie, I too am trying to find ways that will earn me income without putting my writing dreams on indefinite hold.

Something a few of my writer friends (Who are parents and in some cases caring for their own now elderly parents) are being forced to do. Authors provide services that  allow them to stay in the business of publishing, even if the path to selling your first book (Or your second, third, or 20th) is LONG.

PiBoIdMo (National Picture Book Idea Month) is also run in a similar manner regarding eligibility for the prizes author and the end. Though PiBoIdMo, and most other writer challenges are free to participate, some like NaNoWriMo appreciate donations to both keep the site (and it’s conjoined community) running as smooth as possible, and to give back to worthy causes.

 

It’s on that note I get to what I ask my T.A.A. readers to do to help support Julie. In addition to founding and hosting her 12×12 picture book wiring challenge; she’s a regular contributor to the “Brain Burps About Books” podcast, got repped by a literary agent, published her first picture book APP called “A Troop is a Group of Monkeys” illustrated by Pamela Baron, is now also available in print, both from Little Bahalia Publishing, and contributes to CBI’s “Fighting Bookworms” clubhouse community (For paid subscribers of the monthly Children’s Book Insider newsletter) as their “Guide to the Future of Publishing.”

 

 

She’s also a SCBWI member (As am I, though my membership expired this month and I have to wait until December to renew…[Sigh])

 

Her (Potentially) next picture book is a bedtime verse tale called “My Love for You is the Sun” will also be published by Little Bahalia Publishing, but here’s the twist, being a small press, Little Bahalia can really worth directly with authors in a personal,  more intimate way that larger publishers often can’t, partly due to their larger overhead costs, unless you’re one of their bestsellers (And even then there are countless variables involved on a per author basis), but what larger publishers can lack in being more personable with their authors, can (At least PARTLY) make up for in wider distribution, better line up reviews on sites like The Horn Book, Kirkus, and School Library journal, connecting with library systems nationwide, and some significant marketing efforts in addition to whatever authors do on their own.

 

Plus, larger publishers (I don’t mean JUST “The Big 5” Folks!) are also high-end indie publishers like Candlewick Press, Chicken House, Nosy Crow, and FARRAR, STRAUS AND GIROUX (aka The ORIGINAL “F.S.G.”) having more pull in brick and mortar retailers, which for print books (ESPECIALLY in the children’s book market) is a BIG DEAL.

 

Ebooks have their place, and are a strong preference for some teens and adults, especially if space for print books is limited, etc. But children by and large (And adults, myself included) still prefer print books, and in picture books especially, are still the preference of teachers and parents, especially the “rare few” who are able to make time to read to their kids, day or night!

 

In order for Little Behalia to publish, “My Love for You is the Sun” they need additional funding for the illustrations, and final production costs they can’t cover alone, and Julie (With assistance from her agent) worked out a deal with Little Bahelia Publishing to start a Kickstarter campaign to earn the needed funds, which would allow Little Behalia to add this book to their future release list.

 

Here’s what I ask of you, my loyal readers (Especially if any of you are authors or have blogs tied to children’s books, parenting, or literacy) to spare some time (And Money if possible) to Julie’s crowdfunding campaign on Kickstarter-

 (FYI, that GORGEOUS ILLUSTRATION is only ONE of the 20+ pages of art to accompany the final printed book)

 

As with my previous spotlight for “FETCH” this is a project I believe in, and I know from following Julie since 2012, she is a writer you can trust. I would NEVER spotlight projects on T.A.A. CARES if they didn’t come from real people who put their trademark grit and heart into it.

Even though publishing is a business (Which is hard for me to type because I feel it can have negative connotations due to the jerky scammers that sadly do exist from time to time. It’s NOT always “Lack of will to work hard” but “Lack of MONEY!” which isn’t the same as saying “I don’t want to pay for good help” but I just can’t fund it all alone. Period.), writers still need to put PASSION into what they do.

Potential readers, especially kids and teens, know when you’re not genuine. While authors need to have tightly written stories to warrant the costs of publication (ESPECIALLY authors who self-publish with no help from a publisher) they still NEED the love and passion ONLY THE AUTHOR can provide. But even the most business-savvy authors can’t do it ALL ALONE!

Kickstarter (Among a few other sites) is another way for authors who can’t head up the costs to publishing themselves, and because Kickstarter’s platform is “All or Nothing” if the total needed funds aren’t meant, the project “fails” and all donations are returned to their respective donors. (Called “Backers” on Kickstarter)

To crack down on jerky scammers, and to aid in avoiding various integrity issues, Kickstarter also has to screen and approve proposed projects, so you need to be sure your proposal covers EVERYTHING, and like with traditional publishers and literary agents, projects can be rejected, but once the project’s approved, you’re in the system, and from there it’s up to you to ensure you do all you can to promote the project (In a sane NON-spammy way!), and let fate do the rest…

 

As an soon-to-be published author myself (Also via the small press route) it allows me to give back to authors on the same path as me. To deliver the most genuine and passion-soaked stories I can to share with the world, and (While I do want to make some money) I long for the day to receive a letter (Paper or iPad) from a kid or teen who fell in love with a book I’d written, just as the authors I love and admire touched my heart and inspired me to be part of this wonderful tradition of storytellers.

In closing, my loyal readers, I ask you to spread the word, and if you can, spare whatever money you can to ensure that like FETCH, “My Love for You is the Sun” finds its way not just to publication, but to the readers (Young and old) who need it most. You know I will.

Until next time, may the fantastic fauna be with you.

 

 TAA_CARES 2

Picture Book Mania

[sz-youtube url=”http://www.youtube.com/watch?feature=player_embedded&v=6GCJ-iGhTxA” width=”0″ userdata=”Taury” /]

Today is the start of Picture Book Month (Watch the video above to learn more!), and here at T.A.A., we’ve found a fun way to celebrate that you can benefit from. Throughout November I’ll be spotlighting some of my favorite picture books and the authors/illustrators who bring them to life. From  world famous series to the first-time efforts, and all the (Once hidden) gems in-between!

 

Today also marks the start of PiBoIdMo (Picture Book Idea Month)-

 

piboidmo2013-participant-214x131

 

The goal is to have 30 ideas for picture books. Remember, these are IDEAS, not drafts of picture books, unlike NaNoWriMo, the goal is just to have a basic concept for what could be a picture book, drafting them at a later date. Learn more 

If you register by November 4th, 2013, you can enter in a drawing to win various prizes, including (But not limited to)-

Books signed and/or personalized by the author and/or illustrator

Picture Book Critiques by published authors

 

You must be a registered participant to win the prizes.

Click the link below to learn how to register-

 

http://taralazar.com/2013/10/24/piboidmo-2013-registration/

 

Whether your a pre-published author, a teacher,  devout reader or all/any of the above, there’s a lot to love about PiBoIdMo, even if you choose not to take part in the challenge. 

Your literary rat’s taking part this year (Wish me luck!) and while picture books have never been my strength in terms of writing them, I know I have the ideas, and I’ve already come up with several on the first day alone! Not bad for my first official year.

If you’re participating in PiBoIdMo, let me know in the comments below, I wish everyone the best of luck.

 

Today is also the start of NaNoWriMo (National Novel Writing Month)-

2013-Participant-Facebook-Cover (1)

Like PiBoIdMo, I’m taking part in this year, and while I’ve come up short my last four attempts, this year I will draft a book to the end, and with work on my debut novel GABRIEL slowing down as we near the end of 2013, I need something to aid the wait time….

 

But in addition to all the fun challenges going on in November, I’m pleased to announce our next spotlight project for “T.A.A. CARES”-

TAA CARES 3

 

This is an initiative that started earlier this year to give support and awareness to various content creators whose projects need money and/or word of mouth to 

Our first spotlight was for FETCH, a picture book written by Adam Glendon Sidwell, who started a Kickstarter campaign to earn the needed funds to pay his illustrator and printing costs. After missing out on a project that didn’t meet it’s funding goals (You can read about that story here: http://talkinganimaladdicts.com/how-i-met-a-kindred-spirit-on-kickstarter), I HAD to do what I could to spread the word. So, in addition to making a donation, I also spread the word via Facebook and Twitter. 

That project met it’s funding goal is well on the way to publication. 

 

This time, our spotlight is on a book that while not as far along as FETCH yet, author Julie Hedlund (Founder and host of the 12×12 picture book challenge and contributor to CBI [Children’s Book Insider’s CBI Clubhouse]) is taking the plunge with crowdfunding her next picture book via Kickstarter, an eBay-like fund-sourcing social network that allows authors and other content creators a viable way to earn money needed to bring their projects out of the proverbial drawer and into the hands of the consumers. 

 

Her Kickstarter Campaign isn’t live yet, but you can share your support on her blog post linked below-

 

http://www.juliehedlund.com/why-i-am-crowdfunding-my-next-picture-book-part-i/

 

You can also buy her first published effort, the storybook app “A Troop is a Group of Monkeys” published by Little Bahalia Publishing. Now available in print too!

 

As Julie explains in her series of five videos (The first of which is found in the link above), while many authors long for a traditional publishing experience, and/or have a preference for print over ebooks and story apps, for many authors (Herself included) we sometimes need to take less traveled roads and take (Reasonable) risks to get there. 

 

For authors who just don’t have the money (On their own) needed to self-publish at the needed level of quality to be taken seriously by readers and potentially agents and/or publishers, crowdfunding projects via platforms like Kickstarter is one way for authors to get the needed funds to get a book out of the office, onto the presses, and into reader’s hands, physically and/or otherwise. 

But as Julie warns in the videos preceding the one linked above, this isn’t a shortcut to publication, but a way to earn funds for the things we as authors or author/illustrators can’t do alone, or need help to do, but that said-

At times, I do feel  people in general confuse “Lack of Money” with “Lack of Will” because there’s a difference between “Not able” and “I don’t want to!” Those of you who are parents and/or teachers, you get what I mean, it’s like when you need to teach kids that HOW you say something is just as important as what’s actually said.

“Can I PLEASE have a Cookie?” is more respectful than “I Want a cookie NOW!”

Whether or not you give the cookie, you’re more apt to at least give the first response more consideration and courtesy than response 2.

Authors who are successful on Kickstarter or other alternate roads to publication come to it from a “Not able” (i.e. Can I PLEASE have a cookie?) frame of mind. That mindset is critical. 

While authors do what we can to support each other, there’s a difference between asking for a critique of a query letter or manuscript, and money to fund a publishing venture, both require commitment and trust on the part of the donor and beneficiary, and let’s be honest, the current world economy doesn’t help make financial generosity easier, never mind any personal/professional reasons we may have.

For this reason alone, I won’t be doing a Kickstarter campaign anytime soon. I know it will be an option for me at some point, but not until I’ve done all I can on my own first, since projects on Kickstarter need to be approved, and you only get one shot to earn your funds, you don’t want to leave anything on your end to chance. 

In the meantime, I urge you to help me and T.A.A. CARES, support Julie as she soon embarks on her Kickstarter adventure, and if you missed out on supporting our first T.A.A. CARES spotlight, this is your chance to if not spare money, at least some time to spread the word to those who can, online and off.

 

Check back soon to learn more about Julie Hedlund, and since no one entered the FETCH grand giveaway, stayed tuned for how you can still win a personalized signed copy of FETCH and my debut novel GABRIEL in a new giveaway.

As always, I appreciate comments from my readers, don’t be shy, I’m trying to build a community, and your comments and feedback is appreciated. We’re on Facebook, Google+, and Twitter, too!

(@TAA_Editor|http://facebook.com/talkinganimaladdicts|htt

p://plus.google.com/+Talkinganimaladdicts)

 

Until next Time,

May the fantastical fauna be with you.

Taurean J. Watkins: Nickname: Taury Literary Rat/Founder of Talking Animal Addicts

Taurean J. Watkins: Nickname: Taury
Literary Rat/Founder of
Talking Animal Addicts

 

 

Letters From The Editor – April 2nd, 2012

-APRIL 2ND, 2012-

Watercolor art depicting "Busytown" a fictional setting in a series of children's books by author and illustrator, Richard Scarry. Created by Mike Dutton.

Courtesy of Google

Courtesy of Google

 

Letter From The Editor
Lessons Learned, Lost, and Re-Learned
From A Childhood Safe haven

 

While some things in life aren’t as fun the second time around, whether’s it’s changing tastes in food, clothes, etc, some things seem bring comfort and joy like nothing else does. Like a good book, movie or song, there are television shows that have that magic quality that can’t be easily defined and rarely can explain in words.

One such show for me: The Busy World of Richard Scarry.

This show was often what gave me the strength to face another day, and after I left home for preschool and later first grade, I’d often try to program the VCR to record while I was away, often it never worked, which is more a commentary on how tech illiterate I was then compared to now. Which is why I was ecstatic when we got our first DVR cable box, no tapes, and setting up recordings was WAY easier, and unlike VHS tapes, they never wear out.

Later, you could even record shows with the television off.

I used to wear out VHS tapes I had of this show (Don’t know what VHS is? Feel free to look it up or call Mom, I’ll wait…) which I recorded or rented back when Blockbuster still had “Video” in their name, in the pre-Netflix era, when HDTV was still a pipe dream, at least for the non-millionaires.

Anyway (Sorry for going This Old Tech on you), Fast forward to last year, when the series started releasing on DVD, after being off the air (In the U.S. anyway) for over a decade, and I bought one, and happily, it’s as enchanting as I remembered it, but the reason this is a focus in my letter is not what you might think if you’ve followed T.A.A. for some time.

We read books, not just to inform entertain, or both, but also to escape from the craziness that cane overwhelm our lives, and make us lose touch with others and ourselves. As I touched on in the start of this letter, shows like this gave me the opportunity to see a world I wished I could live in, a world where I had the freedom my grandmother and mother had when they were children. To best illustrate this, I will use a familiar song to prove my point-
Hey! It’s time to laugh and play (So have a happy day!)

If you think only baby boomers are stuck in the past, think again.

Those of you raised on 21st century luxuries may not understand where I come from, but there was a time when the happiest things in life didn’t come from the internet, or the latest Apple whatever.

I was a late 20th century kid (Later an Early 21st century teen) who longed for the past. Back to a time when you could have adventures in your backyard, a tree house with secret handshakes and candy bars where even the strictest of parents would never find them. To hang out with my posse of friends without it needed triple strength parental supervision, and needing a ride wasn’t a way of life.

Even today, what small towns lack in trendy malls and gourmet food stores (Which I would miss, being a foodie) it more than makes up for in freedom and exploration that many kids, especially in cities or strict parental eyes, rarely experience outside books, or movies, and even video games.

Lots of things to do and see (It’s so much fun to be…!)
Part of a world where you don’t need a carpool to explore your neighborhood.

Nowadays, it seems the time to enjoy being a kid grows shorter and shorter, and the pressure to grow up gets more and more intense, and if strict parental upbringing wasn’t hard enough, pressure from teachers and society doesn’t help, and while some students need that extra help, we shouldn’t force it in a way that makes an already trying stage of life a living nightmare, and I hope there are parents, teachers, and other caregivers or education insiders who get the real dangers of pushing academics, however valid, to the extreme.

Cracking the whip on academics doesn’t mean parents or teachers have to “Crack a kid’s resolve in half!” it should never mean that. We’re trying to inspire and raise future generations of responsible and respectful adults, not turn them into neurotic, bottom line, money- grubbing megalomaniacs, am I right?

I’m not a parent, and I am definitely not a teacher, and as much I as I don’t want to unfairly tread on toes of those who are, as someone who didn’t get the benefits of having two sane parents, a home that was welcoming and comforting, however small, and siblings you lucked out in liking to be with, you come at this from a different (No LESS valid) perspective.

As much as I hated living the opposite of so many around me, it made me the writer I am today, because I can see what folks thrice my age really don’t get, or even care to get, which is really distressing for the kids they’re trying to teach.

Since many of the mom writers I know are the opposite extreme to my mom, and they know who they are, I have hope that my greatest fear mentioned above will not be the epidemic that seems to be more common with each passing year in this century thus far.

We’ll keep your spirits soaring (While we’re exploring—our busy world…)

During my teen years, when the whole “dark” aspects to life seemed to be glorified to the 11th degree, in the books and movies aimed at my demographic, I was still watching the kids shows on PBS and early Nick Jr. stuff (Pre-1999-2000, just before Dora exploded on the scene). I also became more interested in pleasure reading at that time, but instead of classic Judy Blume or some ambitious “adult” novel, I was reading middle grade fiction, and the occasional picture book, and my own original fiction writing began some time later.

You can make a lot of friends (The good times never end!)

Sadly, I made few real offline friends, and those I did either moved away or grew apart, or whose parents hated me and forbade me to play with them (But that’s another story for a different Letter From The Editor), and often I have to be my own friend, not always easy, and not the same, but it can be done. This often results in feeling awkward at social events, the few I’ve attended outside school, so the less invasive nature of the internet made it easier to connect, and while people sometimes misread me, at least a lisp or talking faster than a chipmunk auctioneer were no longer barriers.

Each adventure and surprise (Will open up your eyes…!)

While I continue my struggle to embrace this concept in real life, in my imagination it’s second nature.

One (Arguably, ONLY!) advantage to being a loner is you get to know yourself in a way some extremist extroverts may not be in tune with, and while no one likes a self-obsessed prick (Or selfish grump, to be more kid-centric) there are times when focusing on yourself does others as much good as it will you.

I had to live in my head a lot growing up. Before I was a reader, it meant throwing myself into the television shows and movies I loved. I was also into gaming, especially RPGs, whether that was an early sign I’d be a storyteller later on I’ve yet to figure out, but I didn’t become the reader I am today until my teen years.

While I knew I wasn’t the only odd one out, it wasn’t until I began my writer’s journey this started to sink in.

I (virtually) met my support team of writers who remind me that I didn’t suffer alone, for they also weathered their storms of family troubles, crushed dreams, and constant identity reinvention.

While many of them weren’t trapped in their homes as I was, and in some ways still am, they persisted and earned whatever flexibility and successes they have, whether that’s a book deal, getting an agent, or just moving out of the house, none of which I can say yet. I can only hope to be half as helpful to someone else one day.

Every day there’s something new (And you’re invited too!)

No matter if your 2 or 22, 10 going on 30, 25 going on 50, or whatever’s in-between or beyond, for most people, life got better later, so maybe that’s the path I’m on now.

I haven’t arrived at my major destinations yet, and despite what some timeless sayings preach, the journey to get there’s simply is FAR from a joy in itself in my case, so I cling to what little optimism I can most days, however illogical. We’re not robots, you know.

Still, there are days when I wish I could upload a “Anger Free” program into myself, and would anything to turn off my “Envy-Inferiority to other writers” switch.

Many great poets often say something to the effect of “No one lives without suffering.”

Here’s what I say, “Suffering may be part of life, but we’re not given life to only know suffering, for that’s a life I wish on no one.”

So, in closing, say it with me-

IT’S TIME TO START THE SHOW! (The Show of Life, that is.)

Best Wishes and Cheesecake,
From your busy editor and literary rat,
Taurean
Other Editors from the Editor-
Letter From The Editor #1 – This Literary Rat’s in Transition! (February 14th 2011)