Category Archives: Characters

Picture Book Month – The Finale: Part 1 (New Voices in 2013)

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FINALE

 

As Picture Book Month draws to a close for another year, I want to spotlight some new faces, places, and voices that have graced bookstores, libraries, and e-readers* in 2013-

 (*Some Books aren’t available in ebook format at the time this post was originally written)

The Snatchabook (U.S. and U.K. Edictions) 3

U.S. Cover (Left) U.K. Cover (Right)

The Snatchabook

Written by Helen Docherty Illustrated by Thomas Docherty

(U.K. Alison Green Books, October 2013) (U.S. Sourcebooks Jabberwocky)

I discovered this on November 1st, 2013, at the START of Picture Book Month, when I was out book browsing, and while I couldn’t get the book at the time, what I read (4 pages) convinced me I MUST buy before year’s end. I will be getting it soon and look forward to a review.

I always feel a bit awkward when I review or highlight a book in rhyme, since when done poorly, really makes a story clunk (I’ve tried, trust me it’s quite a task to challenge oneself with, the literary rat has WARNED you!), and it’s certainly HARD to debut as a new author with a rhyming text, especially if you are NOT also the illustrator (If an agent or editor believes in the project overall,  so long as the rhyming is at least 70% solid, IMHO. Don’t quote me, I don’t yet have an agent, but I’m trying to be positive here!)

My point is this: Like Julia Donaldson from our first spotlight, Helen NAILS the rhyme scheme of her book, which is looser than many rhyme-centric narratives, but works all the same.

Thomas Docherty’s illustrations really brings life and warmth to the world where beloved books go missing, and characters have a Seuss-esque quality to them, and I promise you, I  don’t throw down that kind of statement lightly.

While Thomas Docherty has written and illustrated  6 picture books of his own (And Illustrated “The Snorgh and the Sailor” written by Will Buckingham), “The Snatchabook” is his second collaboration with his wife, and  author, Helen Docherty!

 

Helen and Thomas (Tom) Docherty

(Helen Docherty, left, Thomas Docherty, right)

 

Their first book together (Before they were married) was “Ruby Nettleship and the Ice Lolly Adventure” (Illustrated by Tom, the story co-written Helen) was released by Templar Publishing in 2010, in the U.K. (U.S. Release in 2011)

Ruby Nettleship and the Ice Lolly Adventure

 

Now we go from one love story to another.

 

From one between people, to that of our fantastical animal friends on which this site homages, but it’s also a love story to a place you can actually visit (Should finances allow…)-

 Herman and Rosie

Herman and Rosie

By Gus Gordon

(Released by Roaring Brook Press, a division of Macmillan in October 15, 2013)

 

Like London, Italy, Paris, and more recently India and/or Japan, books have always had a storied history with an ongoing playlist of love songs to iconic settings (Real, imagined, and all in-between) and picture books are no different. In fact, with SO MANY love songs to a specific place, it’s HARD to stand out, but I believe “Herman and Rosie” is one such stand out.

 

For me, of the many love songs to New York (Real or Surreal), this book DOES jump out in the most positive sense.

 

There’s something about the vintage feel that I’ve always responded to, long before I even knew the history behind it, which only enriched my appreciation as I got older.

 

When I first saw the cover for this book, I almost wanted to weep with joy, because it’s unabashedly old-fashioned, in a tune when being modern is often meant to mean “Simplistic to a fault.”

 

I’m not bashing simplicity, when it’s right for the story, whether words or text, but I don’t want simplicity to overly dictate stories that frankly demand some finesse and sophistication-

Fancy Nancy

The Fancy Nancy series is what immediately come to mind. Nancy’s “DIY” fashion/interior design spirit wouldn’t have the charm and impact if it had been taken too literally.

Jane O'Connor and Robin

(Robin Preiss Glasser, left, Jane O’Connor, right)

As author, Jane O’Connor has said in interviews, she made the point to series illustrator, Robin Priess Glasser (via NECESSARY art notes) that Nancy’s “Fancy” was less idealized Martha Stewart/Mary Engelbreit, and more playful and resourceful.

 

Like those old cartoons of kids playing knights wearing pots on their heads to affect those iconic helmets.

 

Much like how many people are living more financially stringent and (Arguably, at times) frugal, and general embellishment is seen as a sin of the early 21st century.  (I’m exaggerating a bit, but it does FEEL that way sometimes)

 

But Gus Gordon’s first children’s book reminds me, and I hope others, too, that “Dated” details aren’t always the “Kiss of Death” we often attach to non-modern things in general.

 

While many young readers (And even their parents born LONG after the ’80s) will not necessarily know that black half moon poking out on the cover is a vinyl record, and that the overall design from the front and back over reminds me of the now “Old School” way people enjoyed music.

 

Back in the day, if you couldn’t play the piano or a violin (Or the Oboe, as in Herman’s case), vinyl records and their players (From the Gramophones of  to the suitcase-style record players from the ’60s and ’70s) was the way to go to enjoy music without going to a live concert, Broadway show or movies in the oft-debated “Golden Era”, but despite the dominance of music downloads and CD sales peaking in the ’90s (My childhood) vinyl records (From 21st Century artists) are STILL coming out, and here’s why-

 

As many audiophiles know, vinyl records actually best preserve the highest quality (Uncompressed) audio when thoughtfully produced, which outside of archival preservation for historians, is a tangible reminder that not everything vintage is obsolete and unloved.

 

While the art style is clean and not what some would call “Busy or Gaudy”  it avoids the “Minimalist” movement in books these days, I don’t just mean minimalism in terms of text (Which I have certain thoughts on that I will share at a later time) but in how the illustrations manage to feel modern yet warm at the same time.

 

Like Frog and Toad, Mole and Ratty, and more recently brother-sister duo Judy Moody and Stink (This may be “Talking Animal Addicts” but we embrace humans here, too!), I hope Herman and Rosie has as beloved and prosperous legacy for young readers now, and for any literary rattlings of my own that one day will emerge.

 

Check back tomorrow for part 2 of our finale by highlighting some picture books T.A.A. has their eye on in 2014!

 

Until then, may the fantastic fauna be with you.

 

Picture Book Month Spotlight #1: Julia Donaldson and Axel Scheffler

Picture Book Month – Author Spotlight #2: Katie Davis

Picture Book Month – Author Spotlight #3: Two Lost Lights of 2013

 

You can also find our spotlights and more on our Pinterest board-

http://www.pinterest.com/taureanjwatkins/taa-celebrates-picture-book-month-2013/

P.S: take time to check out the OFFICIAL website for Picture Book Month-

http://picturebookmonth.com

PBMBADGE-AMBASSADOR-FB

 

P.P.S: If my ramblings convinced you to buy one or more of

the books mentioned above, please support T.A.A. by

clicking on the affiliate cover images above.

Picture Book Month – Author Spotlight #3: Two Lost Lights of 2013

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Today’s Spotlight will be a little different, and possibly tissue-inducing, but I hope no less inspiring. 

 

While I’m all for celebrating the variety, depth and daring feats accomplished in picture book art and text today, I want to take this spotlight to give honor and reverence to two author-illustrators who we lost in 2013-

 

Marc_Simont__21

Marc Simont (1915-2013)

I wasn’t as familiar with Marc Simont’s work, at least not directly, but learned some interesting things in doing research.

A few years ago, I wrote a series of stories about a character named Crocodile Flint, a gruff reptilian sleuth with a semi-hard boiled tone, and some of the feedback I got was advising me to read other mysteries for chapter book readers, and one of the books suggested for me to read was the “Nate the Great” series which is a mystery series for emergent readers (Kids 6+), and though the series is written by Marjorie Weinman , it was Marc Simont who did the illustrations for the early books in the series when it debuted in the early 70s-

Nate the Great (1st)

 

 Today, the series is currently illustrated by Jody Wheeler-

Nate the Great, Where Are You

(Cover for “”Nate the Great, Where Are You?”

to be released in May 2014)

 

But in addition to illustrating the works of other authors, he also penned and sketched books all his own, most notably his picture book “The Stray Dog” that became a Caldecott Honor book in 2001-

 

The Stray Dog

 (*Click the cover image above if you’re interested in purchasing)

As for Crocodile Flint, it evolved from being a chapter book to a novelette type story that I will soon be publishing it via the new reading platform called “Snippet” but I’ll share more details on that in the near future.

 

And speaking of crocodiles…

SUB-WABER-1-obit-articleLarge

Bernard Waber (1921-2013)

Lyle Montage #1 Lyle Montage #2

I saved Bernard last for the simple reason that it was the most INTENSE for me personally as an author early on in my career. It was a week after my birthday this year when I heard the news on Facebook, and it truly rocked my world, in a non-awesome way. I still get shaky thinking about it as I type these words. For, much like the death of Maurice Sendak in 2012 (Also in May, ironically enough), this was the most core-shaking author death for me since Brian Jacques (Author of the Redwall series, and my unofficial “Rival”)

Of his many notable books, his most well known are “Ira Sleeps Over” and his series starring “Lyle the Crocodile” which are are a personal favorite of mine. What I love most about the Lyle series is how even though Lyle never speaks, you still feel you know him. He’s the kind of character where actions and expressions say all you need to know, and despite the “distant” narrator, it doesn’t feel like you being told what Lyle thinks and feels, and anyone whose tried to write a tight first person or close third POV know this is NOT easy to do.

While picture books are usually in third person, and often past tense, there are some in eithe first person, and even second person (If You Give A Mouse A Cookie), that with a skilled author can bring freshness to the narrative and it’s adjoining illustrations without being pretentious.

That said, it’s not easy to use a detached narrator and avoid the issue of readers not feeling connected to the characters or being told how they feel.

Of course, back in the days of silent films, this was a common way stories were told visually, with an occasional caption in the place of spoken dialogue (For those of you saw my original welcome video for T.A.A., the last bit at end was a riff on old silent movie dialogue cards)

But the advantage of picture books (And by extension, Comics and/or Graphic Novels) is to use visuals to express what words alone either can’t convey, or are unable to within the vocabulary and word count constraints inherent in picture books especially.

This is made more impressive by the charming illustration style and how facial expressions really pop.

While some “Modern” picture books can take it to task in the wake of the “Minimalist” movement of books in general this first decade in the 21st century, for me, this is a case where the old-fashioned feeling of the story is its strength, rather than as a liability.

The word “Dated” has negative connotations in publishing, but to me, what really dates a book isn’t necessarily slang (Though is a legit concern, especially in novels), but it’s stance to the reader.

For me, the most enjoyable picture books are the ones where as clearly labored and thought out they may be, they never read self-conscious to neither the kids or the parents (Or other family members) who share the story together.

It had always been my hope that I’d get my Lyle books signed, and shortly after learning of his death, I went to “The Book Beat” (An independent bookstore in my home state of Michigan) and bought a signed hardcover of “Lyle and the Birthday Party” and will be a cherished part of my personal library, and will NEVER sell it! (Short of financial desperation or family inheritance)

 

For a chatty, detail freak like myself, when you can relate so pogiantly to a character who doesn’t speak, you can’t help but say “WOW!” if only to yourself.

Being primarily a novelist, taking away a character’s ability to speak in WORDS for me is like taking a kid’s favorite toy without asking, cruel and jarring, but it also inspires me to better pay attention to facial ticks and unspoken (yet still RELEVANT) feelings of my characters.

Vital for picture books, but still apply to novels, though there’s more freedom of structure and word choice because of the larger canvas you have. In short, I’ll miss you, Bernard Waber, but I thank you for bringing your books into this world.

I came to the joy of picture books later than many, but I know that I’d be just as charmed by Lyle at 4, as I am now at 26, with no kid siblings or kids of my own (Yet…) to hide behind.

My site may be called “Talking Animal Addicts” but Lyle shows us that animals (real or imagined) still have a voice. This is merely a voice you need to feel and see rather than hear.

Have you Marc Simont’s “The Stray Dog” or Bernard Waber’s “Ira Sleeps Over” or one (if not ALL) the Lyle books, and any of his other books? If so, please share your thoughts in the comments. Your literary rat loves to hear from you.

We’ll lighten up the mood on our next spotlight with highlighting picture

books by authors and/or illustrators who made their debut in 2013.

 

Until then, may the fantastical fauna be with you.

Face Your Fear Friday – Episode 1

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Today’s Friday, and that means it’s time to, “Face Your Fear.”


Every Friday, you’ll be given three days to meet a personal goal, and report back on what you learned, even if you don’t complete your goal as planned, do you best to learn at least one thing that will help your writing process in the long run. If abundant success comes from countless failures, you will learn something worth learning, even if you didn’t meet the goal as intended.


Be kind to yourself. Pick a goal that you know won’t require more you can give in three days, something you know your writing lacks, and won’t inherently require a certain kind of study or focus you know you can’t achieve in that short a time frame.


For example, most writers can’t draft a book or even short story in a day or two, however bad, but we can study up on craft and catch up on some market or story research.


Here are the rules (Only 3)


1. Pick a challenge that will aid in honing a weak point in your writing process. Small enough to finish over three days (Friday, Saturday and Sunday before Midnight)


2. Comment on this post before Midnight about the writing challenge you’re giving yourself and why.


3. Report back here again in the comments on Monday before 1:00 AM Tuesday, EST. What was your weekend challenge? Did you complete complete the challenge, and if not, what did you learn from your challenge that will help your writing in the long run?


To all those who join me in this challenge, I wish you all luck.


So go and face that fear!